FEATURED MEMBERAndrea Hoover
Welcome to "A Stitch n' Time". Let us ‘sew’ into your life! "A Stitch n' Time", a licensed, taxable business venue, officially opened its doors on November 5, 2013. My name is Andrea Hoover, the Sole owner, and happy worker bee of this company. I cannot wait to announce our 5-year anniversary this year, then maybe the 10-year anniversary and eventually... announce the 50th anniversary at some time down the road. A Stitch n' Time is a professional service/trade that can alter, tailor, repair, remake, design, custom build and instruct its customers on ready-to-wear, custom made garments and household goods. In a nutshell, I sew, repair or recreate ready-to wear clothing, teach the public how to use and troubleshoot their own sewing machines, and design and build whatever dream floats through my customer's heads. I am only able to accomplish what I do at my job because of the degree, a BFA in Theatre Production with an emphasis in Costume Design and Construction, I received at Pennsylvania State University in 1999 and God's good Grace. Currently, A Stitch n' Time has run out of room at our little cottage. My sewing room runs the length of the back of our rental house, the fitting room doubles as our laundry room, the kitchen table doubles as my cutting table and wedding prep table, the guest bedroom recently housed 12 wedding gowns and a portion of the living room has become the office. I currently have 1 apprentice and 1 full-time employee. As for ASDP… let’s start at the very beginning, it is an integral part of my business. I searched high and low to find a professional organization in which I could stay abreast of the current trends in alteration techniques and sewing. I found ASDP, 4 years ago, through the Threads Magazine, contacted the ASDP website and started going to Chapter meetings in Baltimore. I cannot say enough about how beneficial the membership, the learning and the comradery has been for my business and I. Currently, I am the Baltimore Chapter’s secretary. Also, through ASDP, I acquired a Dress Maker I certificate and attended my first conference in Florida with one of my apprentices. This year I was awarded a scholarship toward an MAS. I plan on starting my MAS this August and look forward to all the continued learning. ASDP has saved me from construction problems, helped me find resources and even helped me fend off potential business scammers. I just cannot say enough about its benefits.
PREVIOUSLY FEATURED MEMBERS Sherry Sentipal Snyder
Sewing and handcrafts have been a part of my life since age 7. I earned a B.S. in Home Economics from Seton Hill College (now University) in Greensburg, PA, where I focused on merchandising. Early in my career, I managed both a JoAnn fabrics and a Piece Goods Shop. After moving to Augusta, GA in 1983, as a newlywed, I was delighted to see children in beautiful hand smocked clothes. I took a class, made a nightgown for myself and continued learning. This new skill launched a sewing business when I was pregnant with my daughter. “Suit Yourself” was chosen, as I love tailoring and helping professional women find nice suits. After recognizing the South’s penchant for dances, formals were added to my business. Once my daughter was born, the smocking creativity exploded- Meghan was the best dressed girl! We relocated to Frederick, MD where I had my twin boys, bringing a new opportunity for smocked boys’ clothes. All of the children’s heirloom clothing is saved for the next generation. I taught sewing and smocking lessons at a local fabric shop, also doing ordering and merchandising for the owners. The popularity of American Girl dolls amongst my daughters’ friends launched a new business, “Sew Special,” with a friend, concentrating on new ideas and classic baby hats. Once my children were grown, I went on to work in sales in the arts and crafts world. As online merchandisers changed the business, I refocused on my true passion of heirloom children’s clothing and launched a new business, Custom Creative LLC. My love for smocking is a part of my work days now. I was looking for a professional organization to brainstorm with other creative people. I found ASDP and it has been the right fit. The Baltimore chapter is active and has interesting programs and meetings. I look forward to learning and growing as part of this wonderful group.
April Jackson
There was no condensed, direct route that taught all the alterations and repairs you would need to know to be and Alterations Specialist. Years of apprenticeship, training and on-the-job experience was how one would acquire skills in the sewing trade. Currently I am living in London, Ontario with my husband, Scott and I have two children, Michael (20) and Rose (18). I own a sewing business, Jackson Sewing and Academy, but my career “baby” is my sewing school, Jackson Sewing Academy. With my online sewing school, I am creating an extensive, customizable course so you can learn the skills needed to become an Alterations Specialist. Included are step-by-step, easy to follow video demonstrating every alteration and/or repair one would need to know to work in this field, along with printable, easy to understand text and images covering many other topics beneficial to this trade. Individuals can learn at their own pace, they can learn everything there is to know to run their own full-service alterations business or just the skills needed to work in a specific area of retail clothing. I had decided to join the ASDP because of the certification programs. Students who complete my course can acquire certification and thus recognition for their skills. Creating a course like this has been a dream of mine for 25 years and I am thrilled to finally see it come to life!
Claire Shaeffer
She studied professional construction techniques which included those used in haute couture as well as inexpensive mass production. Along the way, she developed a passion for collecting and amassed an impressive collection of designer clothes which she uses for research. Although the focus of the collection has always been construction, a few garments have been loaned for museum exhibitions. Claire taught a variety of beginning and advanced construction courses at College of the Desert for 22 years. As a classroom instructor, she learned what frustrated students most, what they really wanted to learn, and how to help them solve problems on their own. Even simple problems such as how the sewing machine works and how to solve stitching problems had not been addressed in the mid-seventies. The author of more than 20 books and videos including “Couture Sewing Techniques” and the Couture Sewing Series of books with videos which focus on Chanel techniques, Claire designs the Custom Couture Collection for Vogue Patterns and is a frequent contributor to Vogue Pattern Magazine and Threads. She is currently writing a college textbook on Couture Tailoring for Laurence King Publication. Claire has written extensively about Chanel and the Chanel garments. Even though she has never visited the Chanel ateliers, her examination of the designs and knowledge of haute couture construction have uncovered several Chanel secrets. One of the first was that Chanel used a faux bound buttonhole under the thread buttonhole instead of a real bound buttonhole which is much more difficult to sew.
Claire’s motto is “I demystify couture;” but she can also explain how garments are made at all price points from the cheapest to the most expensive. According to Claire, her education at a trade-technical school established a foundation on which she could build by visiting designer workrooms, industry factories, and museum collections, but the most important resource has been her personal collection which allows her to peek under the linings. She is considering the value of workshops which focus on examining some of the garments in her collection. One of only a handful of educators who have received both the PACC Lifetime Achievement Award and the American Sewing Guild Hall of Fame Award, Claire is particularly proud of the recognition by her professional colleagues. Claire enjoys sharing the knowledge she has gained through her personal studies, “Much of what I've learned is not new, but how to apply everyday techniques in a different way. It’s very rewarding to see people improve their skills and expand their knowledge.”
Addie Scheibe
Custom Alterations started in the mid 80’s by appointment only. Over time as the business grew, a walk in establishment was formed, around 17 years ago, and is in place today. Custom Alterations preforms many different tasks from coat zipper replacements, blue jean alterations, hems, gown and men’s suit alterations to name a few. Other unusual jobs have been 6 foot zippers in cello cases, re construction on antique tractor umbrellas and the occasional horse blanket repairs. For the most part you name it we have most likely preformed the task. Custom embroidery was introduced into the shop about 8 years ago. We Target the small business sector and individual orders that many of the larger embroidery establishments just do not want or cannot handle. Married with 2 grown children and 2 grandchildren, she stays busy outside of the business. Her family runs and operates The Ro-La-Sue Dairy Farms in Wayne Country, Wooster, Ohio, milking between 250 and 265 cows using Lely Robotic Systems. Addie still heads down to the barn almost every morning to chase cows between 4 and 4:30 a.m. Then returns home, takes a small break and gets ready to open her business. Addie is a member of the Association of Sewing Design Professionals (ASDP), The American Sewing Guild (ASG) and The Wayne County Fiber Arts Guild of Wooster. She holds a recently acquired Certificate of Completion for custom skirt pattern drafting and is currently enrolled in a custom slacks drafting course. Addie also holds a degree from the Ohio State University’s Agricultural Technical Institute in Marketing Management Technologies and Floral Design. She is a published author of Floral Inspirations, Inspiration durch Blumen, and holds a National Certified Floral Designer Certificate from The Ohio and Michigan Floral Association. She is also a member of OFAA and CFAA Associations.
Erin Retelle
After moving to Boise in 2004, she picked up some more advanced design and construction techniques from local instructors, one of whom was Barbie McCormick, another career sewist and ASDP member. Over the next several years, Erin had fallen into helping design and build costumes for the ballroom dance community she is a part of. She worked mainly for the joy of seeing her creations on the dance floor, as well as a few dinners and bottles of wine. When the economy crashed in 2008, and she was laid off from the engineering firm where she was working as geologist, Erin pivoted to an entirely new career in sewing. With Barbie’s help and mentorship and the encouragement of the dance community, Erin began teaching sewing classes, making dance costumes she was paid actual money for, and doing alterations. sewBoise was born! Since that time, sewBoise has expanded twice and Erin now employs 9 people in her Boise shop. Erin comes from a family of educators, and is no exception, many have described her as an exceptional teacher. She thoroughly enjoys teaching, learning and sharing sewing tricks with others. In 2010, Erin joined the Association of Design and Sewing Professionals and began participating in the organization's annual educational conference where she continues to expand her sewing and design skill set, improve her teaching techniques and share her work. Being an engaged business owner and asset to her community is central to Erin's plans. She is pursuing the Executive MBA degree at Boise State University, graduating in spring of 2018, and was one of the Idaho Business Review's honorees for the Accomplished Under 40 Award in 2016 (see page 31). Erin teaches beginning through intermediate-plus students, including teens and pre-teens. Although she only speaks English herself, she is comfortable teaching those whose primary language it isn't. Erin is sewBoise's resident knit and serger expert. She works extensively with the Moulage as well as with commercial patterns, and is always up for a rework of a pattern or existing garment. Read more about Erin in the press, schedule a private lesson with her, or send her an e-mail.
Susan Child
I am currently the Deputy Director for the Office of State Lands & Investments for the State of Wyoming and still work full time. However, I will be retiring in December, 2018 and plan to begin the next chapter of my life with a custom sewing and alteration business on January 1, 2019 – new year, new chapter. I anticipate that my business will consist of primarily alterations, but am hopeful that I will have custom sewing and design opportunities as well – all options are on the table. My Mother and Grandmother sewed for me for as long as I can remember. I started sewing at age eight under their tutelage and have continued to “up my game” over the past 50 plus years. Thanks to my Mother and Grandmother, I am obsessed with fit and try to challenge myself with new techniques and complex projects whenever possible. Because I still work full time, I am more of a weekend warrior but do try to incorporate at least one or two “sewcations” each year. I try my best to spend at least 30 minutes a day in my sewing room, be it sewing in a zipper or a couple of seams, cutting out or drafting a pattern or just cleaning up after a weekend project. I find that if I allot myself a minimum of 30 minutes per day I don’t feel too deprived of my passion. There is absolutely no doubt that I will continue my membership and I am looking forward to future conferences and becoming more involved in ASDP and its mission. I plan to take advantage of the opportunities ASDP provides and enroll in as many conference classes as time will allow. I want further my education and expertise in alteration and sewing techniques, fitting and operating a successful business. I sincerely believe I have found my “peeps” and am looking forward to working with each and every one of you.
Jessica Baseler
It wasn’t until June 2017 that I started sewing as a business. I actually got into alterations on a whim. I was in my sister’s wedding and needed to get my dress altered so I went to a local seamstress and we started talking about sewing and the business. I have been incredibly fortunate as the conversation with this seamstress ultimately led to an apprenticeship and the creation of my alterations business, Pin Works. I joined ASDP shortly after starting my business to expand my knowledge by attending conferences and meet others in the business to learn from them. I would highly recommend this organization to others, especially those just starting out as there is so much information to be gained from fellow ASDP members! Currently I operate Pin Works on nights and weekends while continuing my full-time work in operations at an Insurance agency. I’m not sure what the future holds for me but I look forward to growing my skills in alterations and expanding my clientele.
Nick Abrashi
Currently I am Alterations and Tailor Shops regional manager for Nordstrom Central region. I am in charge of Alterations and Tailoring for the full line of stores and Rack stores (an off-price Nordstrom division) . Full line stores have anywhere from 6 up to 22 tailors depending of the store sales volume. Rack stores generally have one or two tailors for each store. I oversee alteration operations for about 30 stores in Texas, Oklahoma, Tennessee and Louisiana. I provide daily support and coaching to shop managers in executing company goals and initiatives. I monitor, review and compare results. I work on people development, coaching, teaching and training shop managers. Some of other responsibilities of my job are vendor relation, provide financial planning and execution, provide support for sales strategy and cost analysis, facilitate communications for all levels in the region etc. I am married and have two kids. My daughter is at the age of 20 and my son 17. I have been working for Nordstrom for the last 26 years. I joined ASDP mostly to do networking and have access to different aspects of the sewing business.
Teri Lloyd
Teri’s Unique Stitching, LLC I started sewing at the age of eight using my great grandma’s treadle sewing machine. Living on a dairy farm I belonged to the 4H club and we were to submit something we sewed for the county fair in Wisconsin. My mother decided that my first project would be a plaid lined jumper. Oh, did I cry over that and I didn’t sew again with plaid fabric till 2011 when I started stitching as a Costume Shop Assistant for a local dinner theatre. But the good news is I got a blue ribbon that I treasure to this day. During the late 80’s and early 90’s I was a sewing assistant for L. Karen Odam, Dos De Tejas where I tested her patterns, proof read and edited the instructions, created samples for shows and pattern photos. In 1996, Karen and Dos De Tejas patterns were selected for the National New Home Institute Fashion Show and I got to sew all the clothes for this using their machines. Also in the 80’s and 90’s I was a DecoArt Helping Artist, teaching decorative painters how to use DecoArt products as well as teaching silk painting classes including a basic one-time class on TV. In 1995 after moving from Texas to PA I started a home-based alterations and custom dressmaking. In 2010, I moved back to my home town in WI started my business there and then my life changed. Welcome to my crazy life. Really, it’s crazy as a Freelance Costume Stitcher, I usually work away from home 6 days a week, 10 hours a day minimum and anywhere from two days to weeks/months. I get to travel around the United States and internationally having sewn in Canada, Poland and China. I am blessed to have sewn costumes for Disney On Ice, Disney Live, Marvel Universe Live, Sesame Street, Radio City Rockettes, Hamilton the Broadway Musical and the very last Ringling Brothers & Barnum and Bailey Circus, to name a few. In 2015, I spent time in NYC sewing costumes for Madonna’s Living for Love Music Video, her costumes for her Rebel Heart tour as the head seamstress and went on tour with her for three cities. When I am at home I sew costumes for the Fireside Theatre, work at a local quilt shop teaching classes and make cosplay costumes for Comic Con (this picture is my Bioshock Infinite cosplay costumes on stage for judging at the 2016 Wizard World Chicago Comic Con). I have been a member of ASDP since 2008 though I had one year off. I came back because I missed the comradery of the members and all the information that is shared to help us become better in our field.
Liza Roper
I began sewing at a very young age when my mother would give me scraps of fabric as she sewed for me and my brothers and sisters. I was five and she hesitated to allow me to use the sewing machine but I was very persistent and finally sent me for lessons when I was eight years old. I earned a bachelor of science degree in Fashion Design / Retail Management from Marywood University and upon graduating I pursued a career in retail management but my love of sewing never faded. A position opened in a popular bridal shop and I became their seamstress and I loved working with special occasion and bridal alterations so much that I decided to expand and open my own tailor shop to help a wider variety of people and do a variety of alterations. I still specialize in formal alterations, along with hand beading,but do various types of alterations on all clothing. I have brides, brides maids, and prom gowns brought to me from as far as Montana, New Jersey, and New York that see my work on my website and Facebook page. I'm so grateful to have such wonderful customers who follow me. I recently won Best Tailor from a local newspaper, The Times Leader. Here I am pictured with my husband Ben at the awards ceremony.
Angela Wolf
Keven Troutman
Sewing is not my life. But, I recognize it has been a major part of my life. My grandmother let me pretend to sew by giving me a scrap of fabric and a threaded needle that she provided as I sat by her side. Her skills remain unparalleled in my mind, to this day. Sewing was her life. She made matching dresses for my sister and me and my two cousins and my father took great pleasure in documenting them, both from the front and the back, where there was usually a great big bow. My grandmother also made suits for my grandfather, who was the president of a small liberal arts college in Washington state. But it was my mother who taught me how to sew, on her 1937 Singer Featherweight, which I still own.
My mother was always a pretty laissez-faire person, not wanting to interfere or shelter me from life's harsh lessons. Case in point: I vividly remember the lavender pique and lavender and multi-colored coordinating pique that was my first complete sewing project. It was a box pleated skirt with a floral vest. At 11, I didn't really have a bust so the darts I sewed formed little points and the pleats in my skirt were askew. When I debuted my masterpiece at school it didn't take long for me to realize that I shouldn't have worn my first sewing project to school. I wasn't really bullied, but neither was I complimented on my new ensemble. Undaunted, I continued to sew. By high school, my mother encouraged me by telling me I could have as many clothes as I could sew. I took her up on the offer, although I'm not sure it was very cost-effective for her.
Through college I earned a teaching certificate in home economics. I taught middle school home economics and later I managed a medical office, became a freelance graphic designer, led a state-wide trade association and later, I came back to education as a computer teacher.
Sue Larson
I have attended many quilting classes and sewing/stitchery workshops and was a part-time student in the Apparel Design program at Art Institute in Portland for five years. I have entered the Hoffman Challenge in the wearable category three years, and each time my entry was chosen to travel with the trunk shows to quilt expos and festivals around the country. My most recent entry was displayed in the 2013 Hawaii Quilt Guild quilt show. I have designed craft projects for trade magazines, sewn items for Janome advertising and have been commissioned to construct couture garments. Over the years I have taught classes in beading, sewing and hand dyeing fabric. I have also lectured at the Hawaii Stitchery and Fibre Arts Guild on several occasions. My real passion is design - I always aspired to be an apparel designer. However, being a single parent I was never able to finish my degree and start my own business as I had always planned to do. As I wind down toward retirement, I have decided to reinvigorate that dream and complete those last few requirements that stand in the way. I am enrolled in the Fashion Technology program at Honolulu Community College, and will graduate in 2018, the same year I plan to retire. In 2012, I developed my first marketable pattern. It is for a little bag that I call the “Olio Bag” (view an image of the Olio Bag; Photo Credit: Carrie Johnson), which means a collection of miscellaneous items, not necessarily related. I named the bag Olio, because you can use it for anything, or a collection of several things. It resembles a cosmetic bag, and I have several that I use for various items; electronics chargers, small sewing projects and of course make-up. I now quilt, sew, bead and design for relaxation and enjoyment, most of the time for family or friends. I joined the Hawaii Quilt Guild in 2007, and the Hawaii Stitchery and Fibre Arts Guild in 2008, shortly after I moved to Hawaii, hoping to find like-minded women and cultivate new friendships. I have found both in abundance. I am truly blessed!
Lynne Williams
Lynne Williams is a native Californian with 30 years of professional sewing and design experience. She is a graduate of the Fashion Institute of Design and Merchandising in Los Angeles, majoring in Fashion Design. While in college Lynne worked with in the Fashion industry for American Trim, designing embroidery and appliqué patterns for various fashion houses assisting and overseeing production. Upon graduation in 1981 she moved into Hollywood and focused her career in Costumes for Theatre and Film where she had the privilege of contributing to: Bill and Ted’s Excellent Adventure, Honey I blew up the Kids, and a Lionel Riche video “Dancing on the Ceiling” to name a few. Lynne also gained experience at this time in clothing and covering animatronics, working with fur and leather, developing “Walk Arounds” for various productions, all this while running a successful porcelain doll clothing business known as “H.H. Pinafore”. with her partner Sue Hammerschmidt. This dynamic team created beautiful reproduction and original clothes for porcelain dolls, developing a line of doll patterns known for their accuracy and detailed instructions. Since moving to Wisconsin in 1991 her love of horses has inspired her to hone her tailoring skills in the form of traditional riding apparel along with some fun costume pieces. Diversity has always been Lynne’s forte creating wedding garments to window treatments for her private clientele in Wisconsin. Additionally she provides sample prototypes for DC Comics popular line of Action Figures. Currently Lynne has joined forces with her husband, former staff sculptor at Disney, Chuck Williams. Together they create replica costumes from the Batman and Wonder Woman tv show for fans, collectors and cosplay enthusiasts. under the Williams Studio 2 banner. They have established a vibrant and successful online business selling to clients all over the world from their cabin in the woods. Lynne also enjoys teaching beginning to advanced sewing skills through Nicolet College in their continuing education division and out of her private studio.
Annie Barnes
Annie Barnes has been sewing for more than 50 years, and she has been sewing professionally for about 20 of those years. Annie received a Bachelor of Arts degree in Biology from Jackson State College and Master of Combined Sciences in Biology from University of Mississippi and has served as teacher, science supervisor and assistant principal during her 37 years as an educator. She retired from her career in education in 2005, and now specializes in custom sewing and alterations. She has made many many wedding dresses and cotillion dresses truly “ready to wear”! Annie is an active member of ASDP, ASG, Uncommon Threads Quilt Guild, and the Memphis Sewing Guild. Along with her membership in these groups, Annie has contributed her time, talents, and resources to numerous organizations, including LeBonheur Children’s Hospital, Ronald McDonald House and Sewing into Dreams with Stitches of Hope, a charitable organization that supports St. Jude Children’s Research Hospital. Annie was named a “Dream Maker” for her work in helping young designers to bring their creations to life in support of St. Jude. Annie’s sewing skills are also evident in her church, Saint Andrew A.M.E. Her sewing skills are seen in the church’s communion linens, baptismal garments, and a T-shirt quilt she designed to commemorate 20 years of service by the Sisters Ministry. In 2016 Annie served as chairman for the Little Dresses for Africa project. She mobilized fellow Beta Epsilon Omega chapter members and community partners to sew more than 623 dresses that will be distributed to villages in Africa. Her leadership was recognized with a certificate of appreciation from Rachel O’Neil, founder of Little Dresses for Africa. Presently, Annie Barnes is restyling her wedding dress that she wore in 1967 to be worn again on her 50th wedding anniversary!
Margaret Fette
Margaret says "2017 is going to be a wonderful year for The Tailored Fit." In a prior point in her career she worked on Broadway for a year at Carelli Costumes working many shows including Phantom of the Opera, Jekyll & Hyde, and Rent. She has taught at a variety of craft schools including John C. Campbell Folk School and as a visiting lecturer at Indiana University in their fashion design program.
Madeline Stage
After a few years in the workforce as a seamstress and pattern designer, I decided to start my business in 2014. My passion for reducing manufacturing waste turned into an Etsy shop by the name of Green Graves, where I sell products made from repurposed fabrics. I have always been the kind of person who hates to throw away even the scraps from my projects, because I believe they still have use. Now, I use that passion as a part of my business: I collect discarded material and scraps from local factories and turn them into new products. My style of products can best be described as whimsical and fun. From Indiana-shaped pillows to quilted tombstones to red winter capes, each piece is unique because the fabrics I find are limited to the discarded fabrics I can get my hands on. I sell these items online, in local shops, and at a few craft shows throughout the year. As my business has grown, I’ve realized how much I enjoy creating the patterns themselves. I find pattern-making to be a fascinating puzzle, and I’m constantly coming up with new ideas. This, plus the fact that I have always loved inspiring other people to be creative too, has led me to start a growing line of sewing patterns on my website, www.GoheenDesigns.com. I offer my patterns as downloadable PDFs and also in the form of sewing kits with fabric included. I love the kits because they allow me to give new life to even more fabric than what I alone can sew with! I joined ASDP in 2016 as a part of the Heartland Chapter, and I’m looking forward to becoming more involved in the organization! I’m new to owning my own business, which means I’m constantly learning and growing and changing. I look forward to learning from all of you!
Edye Sanford
Edye Sanford – Designs from the Edge An IT-manager-turned-fashion-designer, Edye Sanford emerged on the Baltimore fashion scene 14 years ago with a collection of children’s hats for the local boutique Oh! Said Rose. The whimsical-yet-practical hats were quickly recognized as Baltimore Magazine’s “Best Kiddie Caps.” Her line steadily expanded to include retro-inspired, hip clothing and accessories for women, children, men, and the home. Five years ago, she was thrilled and honored to begin in-depth study of bridal and formalwear under the expert eye of Baltimore’s Best Tailor – and former ASDP national president – Rae Cumbie, allowing Sanford to fulfill clients’ wishes for all kinds of creative garments in even more inventive ways. Attention-to-detail and originally best describe her work. Recent projects have included repurposing wedding gowns into Christening gowns, making skirts from upholstery fabric for a client who is an interior designer with lots of home dec remnants, and creating a custom wedding gown for the owner of Maryland’s largest organic farm. Sanford is the president of the Baltimore chapter of ASDP and a certified Eureka! Licensed Pants Professional. She is an active member of numerous community and professional organizations and enjoys volunteering to teach a variety of sewing skills in Baltimore City Public Schools. She lives in the eclectic Hampden neighborhood of Baltimore, MD with her husband, two sons, two very spoiled rescue pugs, and a flock of urban chickens.
Christine Kazmerzak
Christine has specialized in bridal work for over 35 years and has more than 40 years of sewing experience. Christine started sewing as a young girl taught by her mother and grandmother, who was a milliner and tailor herself. Finding her passion in the art of sewing, she continued sewing for herself and family for many years. Soon the word was out of her talents and she took on her first paying customer in 1969. She studied at Mt. Mary University, the first school in the USA to offer a 4 year fashion design program. From Mt. Mary she earned a degree in Fashion Design and was trained by both American and European designers. While there were years of raising her family, she kept her skills fine-tuned. She opened her Sun Prairie Design Studio in 2000. She continues to improve her skill level annually by taking classes to learn new techniques from international designers and instructions from around the country. Christine has been a member of the Association of Sewing and Design Professionals (ASDP) since 2003 and is an active participant of both the local Wisconsin Chapter and National level to help grow the Association.
Wendy Cettina
My mother taught me how to sew when I was 8 years old. Both my Grandmothers sewed, and I remember them sewing in their sewing rooms. This is when having a sewing room was very common! I had a doll (similar size to an American Girl doll), I think it came with sewing patterns, and we made clothes for it. My mom made a lot of clothes for me and I remember cutting some out with her and learning the basics such as the importance of carefully pinning the cloth together and ironing every seam.
When I went to college, I brought my sewing machine with me. Some stuff I made was kind of wacky, like a shirt from curtains (aka The Sound of Music) and a dress from some random fabric an old boyfriend had used for a toga. I remember I made a drop-waist dress for a dance with these big flowers at the waist. A couple of my roommates wore it to other events after.
It wasn’t until after college when I was working for a construction management firm that I began sketching clothes and sewing my own designs, not just straight from patterns I had purchased. I began accumulating fabric and supplies (important for the creative process!) and learning better techniques. This is when I took a class in Baltimore by Sarah Veblen, a professional sewer, national instructor and author. It all clicked for me and the world of sewing and creating whatever I wanted cracked wide open! Since then I’ve taken several design classes from Sarah, Fashion Institute of Technology (FIT) and at ASDP conferences. Now, I sew most of my clothes.
My business started while I was staying at home with my son. The word spread that I sewed, and people would ask if I would do various projects for them. My business was formed! This year I became a LLC, so my business name is Wendy Cettina Original Designs, LLC. Most of my clients are referrals or repeat clients. I’ve been a member of ASDP for five years and have been on the New Jersey Chapter’s Board serving as 2nd president for about 3 years. I feel that being a member is a wonderful credential and gives another layer of professionalism to my business. I enjoy the variety of my business, a mix of tailoring, original clothing, christening gowns and home decorating items. Elizabeth Allemong
I have been a member of ASDP for about 15 years and I am thrilled to be a part of this group of professionals. Belonging to ASDP gives me credentials as a patternmaker and writer. There are other organizations for seamstresses and crafters, but this group is for the masters of their trades.
My love affair with patternmaking started accidentally, when a saleslady in a home storage store told me about a wonderful patternmaking class she just took, right here where I live, in Columbus, Ohio. Mrs. Hannah was teaching an American pattern-drafting method at Columbus College of Art and Design (CCAD). She used an old textbook written by Harriet Pepin. We learned how to draft slopers and then how to make sewing patterns. Although I was a little intimidated by the young and talented kids in the class, I studied diligently and with great enthusiasm. It was clear that most of the young students were "artistic" and I was "technical." They would be designers and I would be a patternmaker. I loved this class. What I did not like about this method was that the armhole in the Bodice Front was too large.
When the class was over, my sister, who is a fabulous dressmaker, and who still lives in my native Poland, sent me Polish translations of the famous German Muller method. My sister warned me that the instructions were poorly written and full of errors. Those books intrigued me, because the drafting method was so different than the American method, and so I studied them even more diligently. I loved the sleeves in the German method, but I wanted a customized version for various shapes of armholes.
Then, I took a private seminar with the drafting teacher for John Klamar in New York City. I learned about his school in an article written in Sew News. The school was closing and I was one of the last students. The pattern drafting method was French and again it was different than the German and American methods. I loved the pants in the French method, but I wanted to adapt the drafting method to individual measurements for a custom fit.
I started to make notes and translated them from English to Polish, so that my sister could review them. I asked her to be brutally honest about my notes. She was. "Make it simpler, make it simpler," she demanded. And so my instructions slowly became clear and easy to follow.
I basically wrote those instructions for myself, until my designer-friend urged me to self-publish my notes in a book. Her idea was that there might be other women, perhaps professional dressmakers, interested in drafting slopers using the best elements of the European methods combined in one book. My book would save those women almost 10 years of research and learning. I decided to follow her advice. It took me awhile because I was working during the day and had only evenings to work on my book. Weekends were for my husband and household chores. I also had to learn about the business of self-publishing and accounting. But I persevered and in 2002 my book was ready. European Cut features 5 basic slopers: Bodice, Skirt, Sleeve, Torso and Pants.
I think that the best benefit of self-publishing is the fact that I "met" very interesting women online. Some of my customers became my cherished friends. I learned from them as they learned from me and that is a beautiful bonus! Now I have to finish the other books I plan to write.
Elizabeth Allemong VESTIS BOOKS
http://www.vestisbooks.com | E-mail: [email protected]
Linda Harber
Linda Harber is a “fairy godmother” that takes her calling seriously. In addition to sewing couture quality wedding gowns, ballroom and dance costumes, her most rewarding projects are the occasional brides who are deserving of a special gift. The first bride to experience the benevolent magic had a beautiful heart and needed a gown to match. Linda met her the day she was engaged to a close friend. As she got to know her, it was clear the young bride-to-be maintained her virtue and a servant’s heart through a tremendously difficult childhood. One month later, the friend’s father tragically died and in the midst of their grief, Linda wanted to bring a blessing to the family. It was 6 months later when the bride walked down the aisle in her original Linda Marie, one-of-a-kind, hand draped silk and lace gown. For over 15 years, Linda has maintained a part-time business making everything from custom wedding gowns to danceable feather wings and a snake’s head for a ballet company, where she worked as Costume Mistress. Occasionally, there are interesting projects that challenge her creativity such as a commissioned anniversary quilt for a Bible study organization, ballet tutus, skating costumes and ballroom gowns. One memorable undertaking was a party game challenge where the client desired a winning concept for use of one yard of fabric; a cummerbund, bow tie, handbag, boutonnière and corsage were created and stole the show!
Recently, Linda has delved into alternations more than original gowns. Several brides have fallen in love with sample gowns no longer in production, but in the wrong size, and purchased them anyway, hoping she could work a miracle. Out comes the wand and a size 12 becomes a size 2. Linda would like to make a rule that no bride is allowed to shop for her gown without being accompanied by her alterations guru and a good fitting bra! Sewing education has been a learning journey. Linda’s mother shared her love and skill in the craft at a young age, making most of her garments. At age 6 a toy sewing machine was Linda’s first expedition into her life long love for sewing. Her first and only home economics class was in 7th grade. Unfortunately by then, her skills were well beyond the curriculum being taught. So she turned to her mom again for coaching and instruction. Linda never took another sewing class until majoring in Home Economics in college. She made it through a plethora of classes at Cal Poly San Luis Obispo and Cal State Long Beach but dropped out to get married and pursue her first love of being a wife and mother. After her children graduated college, Linda returned to take tailoring, draping, couture techniques and fashion illustration at Orange Coast College. Self taught for most of Linda’s career, a defining moment in her early development was when her mother helped her make a halter-top they saw in 17 Magazine. Linda’s “hero-mom” encouraged her to create her own special version and continue even beyond her skill level. Mom always knew what was in style by reading Vogue Pattern Magazine, which Linda still reads today. Linda’s sister recalls many times at school when friends would comment: “Why is your sister wearing such weird clothes?” and the reply was: “You won’t think it is weird 3 months from now…when it is in fashion here!” Linda credits her love of design to these on trend experiences from her high school years where she always led the way in modern fashion. After a brief experiment as a Dance and Activewear storeowner, she decided to focus on her love of sewing. Linda began competing at conferences in 2002 and was a finalist in the Threads Magazine challenge in both 2002 and 2003. She joined as a member of the Association of Sewing and Design Professionals in 2007. Linda taught vocational education at the local high school level for a year until the program was cut due to budget issues. Linda has an extensive stash consisting of wedding silks, laces, ribbons, rhinestones, faux fur fabric, and many unfinished projects. Storage and room to work are a constant struggle, which she overcomes with her talent for organization. A place for everything and everything in its place is a way of life. Linda’s well-organized studio is currently located in the second bedroom of her Irvine, CA condo. It is decorated with large photos of Linda’s most proud accomplishments, i.e. her children’s wedding garments. In addition, a favorite sign hangs prominently: “Everyone is entitled to my opinion” an attitude based on years of successful fashion sense and inherited confidence. Linda married her high school sweetheart, Andy 35 years ago. They have two children and three grandchildren.
Mirjana Frelilich
Mirjana Freilich has been a member of ASDP since 2006 and was the National Chairperson when we were called the “Professional Association of Custom Clothiers.” Mirjana is also a member of the New England Chapter. She lives in Natick, Ma with her husband and chocolate lab. Mirjana says that being a member of ASDP has given her a venue for further education locally and at National conferences, as well as a sense of belonging to a larger business community where she can learn from and share with colleagues.
The experience of having clothing custom made in the Artwear studio is quite unlike that of purchasing ready-to-wear. It is a no-pressure, enjoyable experience in an aesthetic environment. Many options are available to ensure that your custom made garment is exactly what you want. If you've experienced the frustration of unsuccessfully trying to find just what you're looking for at retail or if you have special fitting requirements, then you are the ideal couture candidate. Few women have the "perfect " figure but in couture that is not a problem. Everyone can look beautiful no matter what their age or size. As a custom clothier she has worked with many clients. Her extensive education and experience in design, patternmaking, fitting and couture sewing techniques enables her to advise you on suitable color, style and fabric choices. The result is a beautiful garment that enhances your best features. Mirjana delights in working with her clients - discriminating women who choose to wear unique clothing with the style, fit and quality construction which comes from clothing that is custom made. Custom clothing is the most personalized form of dressing possible! Clients work with her on the design and fabric choices that will result in quality garments of exceptional fit and impeccable workmanship. To get inspired by Mirjana quality of workmanship please check out her website, http://www.artwearcouture.com
Patricia Robison
ASDP Member since 1998. I live in Bellingham, Washington a town of 100,000 midway between Seattle and Vancouver British Columbia. The focus of my business is bridal and formal wear alterations. I rent studio space from a large bridal shop and work as a contractor for them. I share the space with two other alterations specialists. I do a limited amount of custom work for individual clients. I began sewing as a child under the tutelage of my paternal grandmother. By the ninth grade I was making all my own clothes and clothes for family members. I majored in clothing and textiles at Washington State University, graduated in 1970; so, so very long ago. I came to Bellingham intending to do graduate work in theatrical costuming but impulsively bought a weaving loom and a sheep farm (really, what was I thinking?) and joined the back to the land movement. I spent 15 years spinning, dyeing and weaving the wool from my sheep. I sold items at street fairs and eventually found representation in galleries in Seattle, San Francisco and Los Angeles. I continued to sew clothing for myself and my children. In the eighties I went to work for the Magic Fit Pattern company and traveled around the US teaching pattern making seminars and selling the Magic Fit patterns. (I still use them). During this time I got back into sewing and started to pick up some production work, some home dec work, some custom work, some dance costumes and custom western horseback riding clothes. A little bit of everything. I was hooked. The second conference was in St. Louis and I entered the first Threads Challenge, the mohair challenge. I did it because I wanted to participate in the fashion show at the conference and because I wanted to be in Threads Magazine. My outfit didn’t make it into the magazine but I learned a lot about mohair (it’s really itchy). I got to see some wonderful garments up close and enjoyed the backstage ambiance and excitement of the fashion show. And get all the proper documentation together except when I found out (too late) what bullet points were. Through participation in the challenges I’ve been able to write a few Threads magazine articles. I’ve been lucky and honored to win some challenges and stand on the stage with people who do incredible work. It been a great privilege to be a member of ASDP and I am happy that as my career winds down new, young member are choosing to join us.
Judith Baer
While in my twenties, and raising my small children, I learned my crafts. I ran a dressmaking business out of my home, making wedding & bridesmaids' gowns, drill team costumes of 50 each for 2 different high schools, a small line of clothes for a boutique owner in La Jolla, CA and many private clients with different needs and body shapes. I also continued as an artist by drawing with pen & ink and selling them at local home-base Christmas boutiques.
In 1980, I developed a line of children's clothing under the name of "judith irene creations". With my children in school, and my 5 year old daughter and her friends as my models, I designed and manufactured a line of overalls with animal faces embroidered on the bibs. I was represented in the Cal Mart downtown Los Angeles and the line was sold there and at the Kids Market Fashion Week in New York City. The line was carried by 150 stores and one mail order catalog. The proudest moment was when I received an order from Neiman Marcus for their new Las Vegas store's opening. After a few years, I needed to close my children's line of clothing because my husband and I decided to separate. I moved with my children to Los Angeles from San Diego to pursue a career in the fashion business.
To further my education I took a pattern making course at LA Trade Tech at night, while I worked at International Costumes in Torrance, CA. My instructor Yuki was impressed with my skills and interviewed me for a job with a dress manufacturer "Street Scene ". That was my first job as a designer, patternmaker and doing cost analysis and quality control. I have worked at several different companies as a designer, but I realized that my strengths were in the craft of making the patterns for production. It was what made me happy. I was hired as a head production patternmaker for "Nancy Johnson". The designs were elegant, detailed and pieces of art. The company was known for beautiful southern bell dresses made out of Battenberg lace table clothes. My job was to make the intricate patterns, supervise the sewing and fit the garment on a size 8 model, send the pattern out for grading sizes 4 -14 and then make sure that each size garment's pattern would fit properly onto only one table cloth. I would also draw out embroidery designs for garments that the company would hire total villages in China to hand embroider and sew. It was my dream job, until; it had to close for financial reasons in the early 90s.
For the next ten years, I worked for a few different companies as a head production patternmaker or on a free-lance basis. In the fashion business it isn't how long you have worked at one company but how long you've been doing your job. I was making good money, increasing my wages with each new job. In 1991 my daughter went off to college and there was a new man in my life. I started learning to paint in watercolor and to dye fabric. I started showing on the art circuit, which could be up to 25 weekend shows a year and in 1993 I also joined two co-ops. I did this in addition to working full time as a patternmaker. At the Palos Verdes Art Center I joined "The Artists' Studio", a co-op, in which I showed my watercolor paintings and a small line of wearable art at their two galleries. At Art-A-Fair, co-op, in Laguna Beach, I exhibit my watercolor paintings during the summer show and in 2000 I started showing my wearable art. This gave me the ability to keep working downtown to pay for my daughter's education and to be creative in the arts.
Graphic designs and couture workmanship are the hallmark of my work. Pieced graphic jackets, vests and coats using couture sewing and wonderful artistic details are what I’m known for. I also do a line of hand dyed silk chiffon garments (view example photo) that are painted in a “Jackson Pollock” style. My work is shown at art shows, sold in 24 boutiques across the country and in Dubai, UAE at Saks Fifth Avenue.
I have been creating exhibition pieces that have won many awards. My jacket “Misty Swirl” won first place at the 2005 “Pacific International Quilt Festival” and Best of Show Use of Color at the 2006 “Glendora Quilt Show”. I had the honor of exhibiting my coat “Etruscan Erté” in the 2005-2006 Palos Verdes Art Center International “Wearable Expressions”. In June 2006 “Etruscan Erté” won second place from juror Melissa Leventon, well known author, professor and costumes/textile consultant, at “Convergence 2006 Grand Rapid”. In 2007 I was chosen as one of the designers to exhibit in the “Bernina Fashion Show, Diamond Odyssey”, and I was thrilled to have my gown “Infanta in Diamonds” win the Viewer’s Choice Award.
In 2008, I joined the Association of Sewing and Design Professionals, ASDP. I went to the conference in Chicago that year. I enjoyed the networking and the classes I took. I took a tambour beading class from Robert Haven, which is a style of Lesage Couture Embroidery that Chanel, Dior, and most of the French couturiers use in their garments. It is a wonderful skill to add to my repertoire. At this time, I was also excited to be one of the first to sign up for the MSDP, Master Certification Program for the ASDP.
I am very proud to say that I have completed the MSDP this past year. I decide to enroll in the certificate program for my own satisfaction. I did go to a community college but I’ve always regretted not completing my college education. I wanted to prove to myself and the fashion gods, what I’ve learned over the past 50 years. The certificate program is very comprehensive, thorough and very time consuming. When I signed up I had a 5 year contract and I needed to get a year extension. For the past year I mainly concentrated on the certificate and cut back on my business. Now that I’ve finished, I have a renewed excitement to work on a new group of jackets.
Sandy Dunn
The phone rang on Sunday evening, Thanksgiving weekend in 2011. It was my friend BJ, who has been working in the film industry for 15 years: “I know it is a holiday but what are you doing tomorrow?” she said.
Linda McCoy
She has studied commercial art and graphic design, patternmaking and sewing techniques with many well-known instructors. She serves as membership chair for the ASDP Wisconsin Chapter, and as a Board Member/Fundraising/Events Chair for a local non-profit in her area. Linda lives with her family near Sheboygan, Wisconsin.
Michelle Moenssen
Michelle has been sewing professionally for 25 years, and holds a Bachelor of Arts degree in fashion design and merchandising from Wayne State University. Early on, she was an Elizabethan costume designer for three years for the Detroit Institute of Arts, and after making Renaissance costumes for The Madame Cadillac Dance Theater of Detroit, traveled to France with them on their European tour. She opened her first tailoring and custom dressmaking business in 1996, and was chosen "Best Tailor in metro Detroit" by the readers of 2 different lifestyle magazines in 2002. She served as secretary on the board of the Detroit chapter of Fashion Group International before becoming Regional Director in 2005. While director, she won an award for most successful national event of 2006, bringing Daniel Vosovic, a Project Runway finalist to speak to the members. An accomplished fiber artist, her dyed and felted garments have been accepted into national juried competitions and exhibitions including the Ann Arbor Art Fair, Surface Design Association, Handweaver's Guild of America, the One of a Kind Show in Chicago and The American Craft Council's flagship Baltimore show. She has taught fashion design at the International Academy of Design and Technology, workshops for the Handweaver's Guild of America, the American Sewing Guild and the Ann Arbor Fiberarts Guild, as well as classes in her own studio. She served as secretary on the board of the Ann Arbor Fiberarts Guild for 4 years. She currently owns Nonpareil Studio in Ann Arbor, Michigan where she designs and creates original custom clothing and alterations.
Lillian Kincey
Lilian started to sew at the young age of 8 and was taught by her Mother who always made sure that whatever Lillian made it was done to the best of her ability. And always told her “If you’re not going to do it right, don’t tell anyone I taught you to sew.” She brings to her clients the art of fine sewing and a one of a kind garment for the special ceremony or an infant’s baptism. Her gowns are reminiscent of the gentleness and traditions of the Victorian Era; they are mostly made using white or ivory Swiss cotton batiste, cotton lawn and silk dupionni. Each gown is adorned with fine lace, silk ribbon, hand embroider or pearls she has no problem making each a unique treasure. The layettes she makes are made from fine fabrics, laces and ribbons as the christening gowns, but some designs are repeated. Some of the items she makes are short gowns, diaper cover, and bonnet, bibs, booties and blankets or coverlets. Some of her clients will bring her a wedding dress to make into a Christening gown or a photo of a gown worn by a great grandmother to be copied she rises to the challenge and enjoys making memories for her clients. Check out her website at www.lilliansheirlooms.com and her Facebook page.
Cisa BarryThis month we would like to introduce you to Cisa Barry from New Albany, Indiana, who has been a member since 2011. She acquired her skills apprenticing for 2 years at 2 different businesses in Bloomington, IN and Louisville, KY. She continues her education through her hard work at her shop.
Like many of us, starting out in 2008, she used a spare bedroom as her work space. From there the business has been on the rise, growing from home to having 2 full time and 2 part time employees in a commercial space in the historic White House Center in downtown New Albany. Her main business is alterations and tailoring, wedding dresses and over the last year has seen a boom in custom work, where her true passion lies.
At the end of this year, she is planning another move which will double her current space and allow for future growth. With the larger staff, she is able to take on more work, including referrals from area boutiques and bridal salons. She also works with a local designer making Western Quarter Horse jackets for competitive participants. Cisa and her staff find this work challenging but also very rewarding, as they never sees the clients in person, (a sample of their work is posted).
In addition to starting her MAS certification this year, Cisa’s new goal is to start a traveling sewing school. She feels there is a real need to teach the younger generations the basic sewing skills that are so lacking in today’s school curriculums. Cisa said “We’ve got this whole generation that doesn’t even know how to thread a needle.” Likely, many in this association would agree with that statement.
She is determined to do her part to not let our art form die out. Cisa’s future plans include adding a fabric store to her core business and offering in-house classes.
We are proud to say that she was selected as a “20 Under 40” recipient last year. This recognition is given to individuals in Clark and Floyd counties under the age of 40 who have made a difference in their work and extracurricular activities. She was also nominated for the Better Business Bureau’s Torch Award for Marketplace Excellence. While she was not selected last year, she will apply again this fall.
She attended her first conference in 2013 and had a remarkable time! This year she is looking forward to taking Carol Kimball’s master class and reuniting with fellow members in Philadelphia.
Check out her website at http://www.sewfitting.com. You can also follow her on Facebook http://www.facebook.com/sewfitting.
Carol KimballCarol shares her talents in classes that are often offered at our annual conferences. This year she’s teaching two: the new Video Clips for Your Business and her 2-day Master Class in Fashion Illustration. If you haven’t taken her sketching class or feel you could use a refresher course, sign up early so you don’t miss this opportunity. You will leave with your drawing skills improved 10-fold. Last year in Nashville Carol took pictures of me and did my individual croquis, which I use all the time. When she pitched teaching Video Clips for us, she was frank that she knew nothing about how to do it. She found doing research and teaching herself new software programming fascinating. She’ll cover options from low-rent to Indie-movie level with her usual relaxed humor and copious documentation. Her first freebie is up on her website, www.CarolKimball.net. We are very lucky to have such a gifted lady as a member that is so willing to share her knowledge and talents so freely. By Brenda Breitenmoser
Debbie LaFaraDebbie LaFara knew from a very early age that she was meant to sew. Her mother, who has made all of her own clothes for nearly 80 years, taught her the basics and armed her with a Singer sewing machine at age 10. All throughout her school years, she dreamt of being in the fashion industry but her career path took a detour after graduating with honors from Maryville University in St. Louis, MO. With a BFA in Interior Design in hand, she joined her family’s commercial interiors business to oversee the creative department until the business was sold in the early ‘90s. During this 20 year stint, still fueled by the urge to sew, Debbie attained an Associates Degree in fashion from Washington University.
The sale of the family business gave Debbie the opportunity to take yet another detour by starting a custom jewelry business where she created one of a kind pieces in 22k granulated gold. During this time, Debbie was a co-founder and served on the board as treasurer of the Midwest Metalsmiths organization for 8 years. Although she loved creating works of art in precious metals and stones, the rising cost of gold told her that she needed to return to her true passion of sewing.
In 2007, Debbie finally took the plunge to begin her career in fashion. For the last seven years, she has been creating custom dresses, suits and gowns through couture techniques. Being an entrepreneur at heart, she has also expanded her works to include creating custom patterns. Her long term goals are to offer these patterns on line and through specially retail stores.
Debbie is honored to be a part of the Association of Sewing and Design Professionals' board and is the current ASDP Treasurer.
Lois AndersonLois Anderson started Magnolia Hill Re-Creations in 2010 as a way to marry her love of sewing and concern for the environment. In her “previous life” she was an environmental consultant for 12 years until a failed back surgery ended her career. After a number of years on disability, she searched for a way to feel productive and help people. The answer was to use a skill she already had — sewing and needlework. Taught by her mother, Lois has been sewing and doing embroidery since grade school. She joined ASDP almost immediately at the encouragement of a current member just so she could participate in the Threads Challenge to make a “no waste” garment.
The name of her business was inspired by the Victorian language of flowers where each flower has a unique meaning. Magnolia means “love of nature” and reflects the focus of her business. She reuses fabrics and alters clothing, and/or adds embellishments, to “re-create” dull or out-of-style articles into modern, useful clothing and accessories. Some of her favorite projects are converting turtlenecks into open-neck, fashionable tops; incorporating vintage handkerchiefs into anything from blouses to pillows to table runners; and remaking lacey, vintage table runners or tablecloths into blouses and jackets. She also made a quilt from a large t-shirt collection and has been asked to create more. Her fabric scraps often end up as doll clothes, fabric flowers, or in quilts.
Since Lois can’t throw anything out that she perceives as having life still in it, doing mending and repairs are also part of her business. At the encouragement of, and with some tips from, her mother, Lois taught herself to do reweaving to repair tears and holes in quality garments. She learned the technique by using two Cornell Extension Bulletins written by Gladys L. Butt that belonged to her mother. One of the bulletins, entitled “Keeping Clothes Wearable” is dated October 1942.
Lois also teaches beginning to intermediate sewing and uses her skills to complete several projects for charities each year. Lois currently serves ASDP as the NJ Chapter Representative.
Nancy Pace
In the mid 80's I decided I wanted to make a business of my sewing and was fortunate to be chosen to attend a Sewing As a Business Workshop sponsored by Clemson University, Coats & Clark, Dritz, ASG, and others. In that workshop I learned about ASDP which was then Professional Association of Custom Clothiers (PACC) and joined under the sponsorship of the organizers of the Sewing As a Business Workshop. Then I took a pattern making class at a local tech school. Shortly followed by participation in a program that culminated in a professional sewing certificate from another local tech school. As the apprenticeship for the professional sewing certificate I began doing alterations for a laundry and quickly learned that there was a large untapped market for an embroiderer, so I began to research machines and talk to people who were in the embroidery business. In April of 1993 I bought my first commercial embroidery machine and began a fantastic educational journey that has been beyond my wildest imaginings. In 2007 I bought my second commercial embroidery machine and digitizing software that would allow me create my own custom embroidery designs. I do embroidery and digitizing for a local sporting goods store, as well as digitizing of logos and designs for individuals and corporate customers.
Carey Pumo
After 2+ years in business, Carey’s goals are to continue to grow a strong client base, and with several recent purchases of industrial manufacturing equipment she hopes to develop a line of brassieres. With a strong interest in lifelong learning, she recently studied CAD (computer-aided drafting) pattern making software to enhance her pattern making speed and efficiency. She has already put that tool to great use with custom client work. Her passion for foundation garments is demonstrated in her History of the Bra lecture which she presents to local community groups upon request.
Carey is supported by a loving husband and two children as well as the extended family of ASDP members. She is very much looking forward to the Philadelphia conference in 2014!
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